This project was photographed entirely by myself —
the way I most prefer to work.

The concept was defined by the brand, and I focused on translating it through my own perspective, keeping the process intuitive and restrained. Rather than over-explaining, I allowed form and material to guide the images.

I wanted the photographs to feel cool and urban, with a quiet sense of warmth underneath. Using the organic geometry of the accessories, I explored a series of subtle visual experiments — working with curves, negative space, and reflection. In many frames, the silhouette alone felt sufficient.

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YOKOHAMA FOR MAGJAY